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Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus represents a milestone in Holocaust research and a breakthrough in serious comics art, but his body of work is more extraordinary and varied. ART SPIEGELMAN: DISASTER IS MY MUSE traces his beginnings in the 1960s as co-inventor of the Wacky Packages trading cards; his co-founding of the underground comics magazines Arcade (with Bill Griffith) and Raw (with his wife, Françoise Mouly); his response to 9/11, inspired by the attacks he witnessed from his home in Lower Manhattan; his controversial covers for The New Yorker (1993–2003), which prompted New York City police to demonstrate outside the magazine’s offices; and his public response to the recent banning of Maus by a Tennessee school board. Spiegelman proves to be an eloquent leader in his provocative work, with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by Spiegelman’s unrelenting confrontation of personally traumatic subjects.

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